What happens when a Native or indigenous person turns a video camera on his or her own culture? Are the resulting images different from what a Westernized filmmaker would create, and, if so, in what ways? How does the use of a non-Native art-making medium, specifically video or film, affect the aesthetics of the Native culture? These are some of the questions that underlie this...(展开全部)

The term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their worl...(展开全部)

Jennifer Dorothy Lee is Associate Professor of East Asian Art in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

Patrick Jagoda is professor of English and cinema and media studies at the University of Chicago. He is a Guggenheim Fellow and executive editor of Critical Inquiry. He is the author of Network Aesthetics, also published by the University of Chicago Press, and coauthor of The Game Worlds of Jason Rohrer.

尼古拉斯·伯瑞奥德，法国策展人和艺术批评家。从1996 年至2006 年，他是当代艺术空间巴黎东京宫的联合总监。他曾是当代艺术杂志Documents sur l'art 的创办者和负责人，也是2009 年第四届泰特三年展的策展人。2011年12月起，担任巴黎高等美术学院院长。

The aesthetic nature and purposes of computer culture in the contemporary world are investigated in this book. Sean Cubitt casts a cool eye on the claims of cybertopians, tracing the globalization of the new medium and enquiring into its effects on subjectivity and sociality. Drawing on historical scholarship, philosophical aesthetics and the literature of cyberculture, the au...(展开全部)

Jennifer Dorothy Lee is Associate Professor of East Asian Art in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

The term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their worl...(展开全部)

尼古拉斯·伯瑞奥德，法国策展人和艺术批评家。从1996 年至2006 年，他是当代艺术空间巴黎东京宫的联合总监。他曾是当代艺术杂志Documents sur l'art 的创办者和负责人，也是2009 年第四届泰特三年展的策展人。2011年12月起，担任巴黎高等美术学院院长。

塔塔尔凯维奇（Władysław Tatarkiewicz，1886—1980），波兰哲学家、哲学史家、美学家、美学史家、艺术史家，代表著作有《西方六大美学观念史》和三卷本《美学史》，此外亦有哲学史著。 张卜天，中国科技大学物理学学士，北京大学科技哲学博士，西湖大学终身教授。译有六十余部著作，译文优美流畅，广受读者好评。